Sruti Smrti
नमामि भगवत्पादम शंकरं लोक शंकरम्॥
namāmi bhagavatpādama śaṅkaraṃ loka śaṅkaram..
Description
In this verse, there is a statement of fact: Sri Sankara is srutismrtipurananam alayam. A shrine, a temple, is called alaya. Also any place where a sacred thing is kept is an alaya. Books are sacred, so a library is called pustakalaya. Sri Sankaracarya is an alaya of sruti-smrti-puranas. Sruti is all the Vedas, the karmakanda as well as the last portion of the Vedas known as Vedanta. Since sruti has come down to us through the rishis, there is no authorship (apaurusheyatvam), whereas, smrti has authorship. The kalpa-sutras are a development of the statements of the smrti, written by people who had a status similar to the one the rishis enjoyed. They knew about rituals, values, dharma, etc. All the dharma-sastras come under smrti. Even itihasa is called smrti. It is a combination of history and poetry, unlike Indian history, that is half history and half fiction! The purana appears on a bigger canvas. Its topic is entirely different. It talks about Bhagavan’s avataras. There are 18 puranas. All these together abide in one shrine that is Sri Sankara. He is the upadhi in which the entire subject matter of the sruti, smrti and puranas is enshrined, and is therefore called srutismrtipurananam alayam. Suppose, there is a living person who is an embodiment of all this vast knowledge but is maunibaba, a person committed to silence, not talking or writing, what would we get? There would be no way for us to learn anything from him. Maunibabas are always respected in our country. If Sri Sankara had been such a maunibaba, he might have had many devotees and one or two generations of those devotees might have remembered him. However, we definitely would not be celebrating his jayanti. Sri Sankara was not only an alaya of all-knowledge, but also an alaya of karuna, a person of great compassion through which he was able to reach out to others. It was Sri Sankara’s compassion, which made him what he was. Let us see how.
Sri Sankara taught his disciples who were with him, but he also made sure that the teaching came down to posterity through his writings. In those days, writing was not an easy job. There were no typewriters; there were no laptops, or even paper and pens. Sri Sankara had to do all his writing on palm leaves, and every copy was handwritten. There are hundreds of such manuscripts in India today, in spite of so many of them having been burnt or lost. They are enshrined in the homes of the people who have them. I do not think there is any culture other than Vedic culture that accords so much value to learning, whether it is scriptural or temporal.
Sri Sankara wrote extensive commentaries, bhashyas, on the Isa, Kena, Katha, Prasna, Mundaka, Mandukya, Taittiriya, Aitareya, Chandogya and the Brhadaranyaka Upanisads. All these bhashyas were written to include purvapaksas, objections and arguments, and the unfolding of the siddhanta, the main purport. When writing bhashyas, first, you have to give the anvaya, comprehensive meaning. After that, you should defend this analysis against any other possible meaning, or any other meaning given by somebody else. If one person thinks in one way, there will always be another person who thinks differently. People say that there are different schools of thought. When you are dealing with the reality, it has to be dealt with exactly as it is. There cannot be different schools of thought in arithmetic because one plus one can only be two. How can there be ‘schools of thought’ in understanding Isvara? But there were people who looked at Isvara differently. Sankara valued them all and discussed in detail leaving nothing to be desired.
You can give people the freedom to hold their ideas. There is nothing wrong in that, but there is no way of reconciling what is right with whatever is wrong. What is right is right. There is nothing to reconcile. A wrong thing has to be stated as wrong and understood as such. The other person has the freedom to hold a wrong idea. That is understandable. However, you cannot accept this wrong idea just because he is a nice person. You cannot have a charismatic approach in dealing with realities.
Thus, we can imagine the enormity of effort in writing all this on palm leaves. How much compassion Sri Sankara must have had for the spiritual upliftment of humanity, that he wrote all these books, and finally, the Brahma-sutra-bhashya. It is no ordinary feat. This is the proof of his compassion. Therefore, he is called srutismrtipurananam alayam karunalayam.
Namami bhagavatpadai sarkaram lokasankaram. I salute him whose name is Sri Śankara. Śam karoti iti Śankarah. Śankara is he who grants mangalam, an auspicious end, the grand finale to the winding journey of a jiva. The jiva’s history has to end. When will it end? Each birth is like yet another sheet of paper in a set of loose sheets that can never be bound together. It is endless; there is always a next birth. It is always an unbound book. The one who brings about that mangalam is Sankara Bhagavatpada, who is likened to Bhagavan. Unto him, my namaskara.
Excerpt from the book ‘Prayer Guide’ by Swami Dayananda Saraswati
Other Sankara Shlokams
Achyutashtakam
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Annapurna Stotram
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Aparokshānubhuti
Shlokams,Prakarana Grantha,Sankara
Aparokshanubhuti, or Direct Experience of the Absolute is an introductory work by Adi Shankaracharya that expounds Advaita Vedanta philosophy. The word means Self-Realization
Ashtavakra Gita Home
Shlokams,Prakarana Grantha,Sankara
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Ātmabōdha
Shlokams,Prakarana Grantha,Sankara
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Atmabodha All Verses
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Ayigiri Nandini
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Bhaja Govindam
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Bhaja Govindam is one of the most popular hymns penned by Adi Shankaracharya. He has packed into the Bhaja Govindam song the substance of all Vedanta, and set the oneness of Jnana and Bhakti to melodious music.
Bhavani Ashtakam
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Bilvashtakam
Composed by Sri Adi Shankaracharya, the famous Bilvashtakam extols the virtues of the Bilva leaf (also spelt Vilva, Bilwa) and Lord Shiva’s love for it. The following com
Bilvashtakam 14 Verses
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Brahmajnānavali Māla
Shlokams,Prakarana Grantha,Sankara
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Dakshinamurthy Stotram
Shlokams,Sankara,Shiva,Dakshinamurthy
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Dasa Shloki
Shlokams,Prakarana Grantha,Sankara
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Devi Aparadha Kshamapana Stotram
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Ganesha Pancharathnam
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Ganesha Stavah
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Ganga Ashtakam
Gangashtakam is an octet on river Ganga composed by Shri Adi Shankaracharya.
Gangā stotram
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Guru Ashtakam
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Guru Paduka Stotram
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Hanuman Pancharatnam
Garland of five gems on Shri Hanuman composed by Shri Adi Shankaracarya.
Hastāmalakiyam
Shlokams,Prakarana Grantha,Sankara
Composed by Hastāmalaka Ācārya, a direct disciple of Adi Sankaracharya, the Hastāmalaka Stotraṁ or Hastāmalakiyam is a short Vedāntic text about the higher nature of the Self.
Ishavasya All Verses
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Ishavasya Upanishad
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Ishvaro Guru Atmeti
Shlokams,Shiva,Dakshinamurthy,Guru,Sankara
Salutations to Lord Dakshinamurti, who is all-pervasive like space but who appears (as though) divided as Lord, Guru, and the Self.
Jagannath Ashtakam
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Kalika Ashtakam
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Kamakshi Stotram
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Kanakadhara Stotram
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Kasi Viswanathashtakam
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Katha Upanishad
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Kaupina Panchakam
Shlokams,Prakarana Grantha,Sankara
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Kena Upanishad
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Kenopanishad-All-Verses
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Lakshmi Narasimha Karavalambam
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Lalitha Panchakam
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Lalitha Sahasranamam
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Mahishasura Mardini Storam
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Manishā Panchakam
Shlokams,Prakarana Grantha,Sankara
Adi Sankara’s ‘Manisha Panchakam’ refers to the conclusive wisdom or determinate knowledge asserted in five verses. Manisha means conclusive wisdom or determinate knowledge and Panchakam refers to the five verses.
Mauna Vyakhya
Shlokams,Sankara,Shiva,Dakshinamurthy
I salute Sri Dakshinamurti, who is not subject to time, who makes known the truth of Brahman through the implied meaning of words, who is surrounded by disciples who are themselves Rishis and committe
Meenakshi Pancharatnam
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Mundaka Upanishad
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Narmada Ashtakam
Composed by Sri Adi Shankaracharya in praise of river Narmada.
Nidhaye Sarvavidyanam
Shlokams,Sankara,Shiva,Dakshinamurthy
Salutations to Sri Dakshinamurti, the reservoir of knowledge (the abode of all learning), the healer of all those who suffer from the disease of samsāra, and the teacher of the whole world.
Nirvana Shatakam
Nirvana Shatkam (Atma Shatakam) of Adi Sankara Commentary and Notes Translated by S. N. Sastri Introduction: Sri Sankara Bhagavatpada has blessed poster
Om Namah Pranavarthaya
Shlokams,Sankara,Shiva,Dakshinamurthy
Om. Salutation to the one who is the meaning of praņava, who is in the form of pure knowledge, who is taintless and who is free from any change. To that Sri Dakshinamurti, (my) salutations.
Om Namo Bhagavate Dakshinamurthaye
Shlokams,Sankara,Shiva,Dakshinamurthy
Om. Salutations to Bhagavan Dakshinamurti. (Oh Lord) Bless me with memory, the capacity to think properly, and clarity, wisdom.
Pandurang Ashtakam
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Prashna Upanishad
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Prashnopanishad-All-Verses
The Prashnopanishad (Prashna Upanishad) is a key philosophical text within the Indian spiritual tradition, part of the larger body of literature known as the Upanishads.
Prātah Smaranam
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Ranganatha Ashtakam
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Sādhana Panchakam
Shlokams,Prakarana Grantha,Sankara
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Sankaram Sankaracharyam
Salutations again and again to Lord Shiva in the form of Sri Sankaracharya and Lord Vishnu in the form of Veda Vyasa, who were the authors of sutra and bhasya.
Saundarya Lahari
Shlokams,Prakarana Grantha,Sankara
The Saundarya Lahari, a devotional poem of one hundred hymns, is ascribed to the great teacher Shankaracharya. The poem is divided into two parts; the first part, comprised of verses 1 through 41, is called the Anandalahari, or Wave of Bliss, and…
Sharada Bhujangam
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Shiva Aparadha Kshamapana Stotram
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Shiva Ashtakam
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Shiva Manasa Puja
Sri Adi Shankaracharya composed this mantra for lord Shiva. Using this stotra, we can perform mental worship of Lord Shiva.
Shiva Pratah Smaranam
This is a short and beautiful 'Three Shloka Prayer' that makes the start of the day full of energy and happiness. Composed by Sri Adi Shankaracharya.
Soundarya Lahari All Verses
Soundarya Lahari, meaning "Waves of Beauty," is a revered Sanskrit literary work attributed to Adi Shankaracharya, the great philosopher and theologian who consolidated the doctrine of Advaita Vedanta in the 8th century. This composition is not just…
Subramanya Bhujangam
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Taittiriya Upanishad
The Taittiriya Upanishad is one of the primary Upanishads, as part of the Yajur Veda. It says that the highest goal is to know the Brahman, for that is Truth. It is divided into three sections, 1) the Siksha Valli, 2) the Brahmananda Valli and 3)…
Tattvabodha
Shlokams,Prakarana Grantha,Sankara
For anyone wishing to understand the essential tenets of Shankaracharya's philosophy and the Advaita vision, the Tattvabodha, which broadly translates to the 'knowledge of truth', is mandatory reading. In it, Shankara, as the teacher, puts down the…
Totakashtakam
The Toṭakāṣṭakam was composed by Giri (an enlightened disciple) in praise of his Guru Adi Sankara. Literally, it means a rhyme of eight (Sanskrit: aṣṭa) verses (ślokas) in the meter called Totaka.
Vākya Vritti
Shlokams,Prakarana Grantha,Sankara
Of the four Mahāvākyas, the statement containing the entire instruction of the teacher is 'Tat Tvam Asi' or 'That Thou Art'. Exposition of this pithy but pregnant sentence (vākya), is accomplished by Adi Sankara in a collection of 53 verses called…
Vedasara Shiva Stava
Composed by Sri Adi Shankaracharya in praise of Lord Shiva - the essence of vedas.
Vishnu Shatpadi Stotram
The Sri Vishnu Shatpadi is a revered Sanskrit stotra (hymn) dedicated to Lord Vishnu, the preserver and protector in Hinduism. Composed by the illustrious philosopher and saint, Sri Shankaracharya, this hymn comprises six verses (ṣaṭpadī) that…
Vivekachudamani
Shlokams,Prakarana Grantha,Sankara
The Vivekachudamani is the crown jewel of the Prarkarana texts (philosophical treatises) authored by Sri Adi Sankaracharya. The title translates to ‘Crest Jewel of Discrimination’, referring to the discrimination between the real and unreal.
Yamuna Ashtakam
Composed by Sri Adi Shankaracharya. In Yamunastakam’s first eight shlokas, Sri Adi Shankaracharya describes Shri Yamunaji’s eight fold powers, its divine & wonderful idol and her divine qualities. Shr
Sruti Smrti – Sankara – In Sanskrit with English Transliteration, Translation and Meaning. Commentary for selected Shlokams. With commentary by Swami Dayananda