Soundarya Lahari All Verses
Soundarya Lahari – All verses – Introduction
Soundarya Lahari, meaning “Waves of Beauty,” is a revered Sanskrit literary work attributed to Adi Shankaracharya, the great philosopher and theologian who consolidated the doctrine of Advaita Vedanta in the 8th century. This composition is not just a poetic description of the physical beauty of the Goddess Shakti, but also a profound work of tantric philosophy and spiritual insight.
The text is divided into two parts:
Ananda Lahari (Waves of Bliss) – Verses 1 to 41
Soundarya Lahari (Waves of Beauty) – Verses 42 to 100
Saundarya Lahari Links on our site
Soundarya Lahari – Verse by Verse
Soundarya Lahari – All Verses with Audio
Soundarya Lahari – Home Page
शिवः शक्त्या युक्तो यदि भवति शक्तः प्रभवितुं
न चेदेवं देवो न खलु कुशलः स्पन्दितुमपि ।
अतस्त्वामाराध्यां हरिहरविरिञ्चादिभिरपि
प्रणन्तुं स्तोतुं वा कथमकृतपुण्यः प्रभवति ॥ १॥
śivaḥ śaktyā yukto yadi bhavati śaktaḥ prabhavituṃ
na cedevaṃ devo na khalu kuśalaḥ spanditumapi .
atastvāmārādhyāṃ hariharaviriñcādibhirapi
praṇantuṃ stotuṃ vā kathamakṛtapuṇyaḥ prabhavati .. 1..
विरिञ्चिस्सञ्चिन्वन् विरचयति लोकानविकलम् ।
वहत्येनं शौरिः कथमपि सहस्रेण शिरसां
हरस्संक्षुद्यैनं भजति भसितोद्धूलनविधिम् ॥ २॥
viriñcissañcinvan viracayati lokānavikalam .
vahatyenaṃ śauriḥ kathamapi sahasreṇa śirasāṃ
harassaṃkṣudyainaṃ bhajati bhasitoddhūlanavidhim .. 2..
जडानां चैतन्य-स्तबक-मकरन्द-स्रुतिझरी ।
दरिद्राणां चिन्तामणिगुणनिका जन्मजलधौ
निमग्नानां दंष्ट्रा मुररिपु-वराहस्य भवति ॥ ३॥
jaḍānāṃ caitanya-stabaka-makaranda-srutijharī .
daridrāṇāṃ cintāmaṇiguṇanikā janmajaladhau
nimagnānāṃ daṃṣṭrā muraripu-varāhasya bhavati .. 3..
त्वमेका नैवासि प्रकटितवराभीत्यभिनया ।
भयात् त्रातुं दातुं फलमपि च वाञ्छासमधिकं
शरण्ये लोकानां तव हि चरणावेव निपुणौ ॥ ४॥
tvamekā naivāsi prakaṭitavarābhītyabhinayā .
bhayāt trātuṃ dātuṃ phalamapi ca vāñchāsamadhikaṃ
śaraṇye lokānāṃ tava hi caraṇāveva nipuṇau .. 4..
पुरा नारी भूत्वा पुररिपुमपि क्षोभमनयत् ।
स्मरोऽपि त्वां नत्वा रतिनयनलेह्येन वपुषा
मुनीनामप्यन्तः प्रभवति हि मोहाय महताम् ॥ ५॥
purā nārī bhūtvā puraripumapi kṣobhamanayat .
smaro’pi tvāṃ natvā ratinayanalehyena vapuṣā
munīnāmapyantaḥ prabhavati hi mohāya mahatām .. 5..
वसन्तः सामन्तो मलयमरुदायोधनरथः ।
तथाप्येकः सर्वं हिमगिरिसुते कामपि कृपाम्
अपाङ्गात्ते लब्ध्वा जगदिद-मनङ्गो विजयते ॥ ६॥
vasantaḥ sāmanto malayamarudāyodhanarathaḥ .
tathāpyekaḥ sarvaṃ himagirisute kāmapi kṛpām
apāṅgātte labdhvā jagadida-manaṅgo vijayate .. 6..
परिक्षीणा मध्ये परिणतशरच्चन्द्रवदना ।
धनुर्बाणान् पाशं सृणिमपि दधाना करतलैः
पुरस्तादास्तां नः पुरमथितुराहोपुरुषिका ॥ ७॥
parikṣīṇā madhye pariṇataśaraccandravadanā .
dhanurbāṇān pāśaṃ sṛṇimapi dadhānā karatalaiḥ
purastādāstāṃ naḥ puramathiturāhopuruṣikā .. 7..
मणिद्वीपे नीपोपवनवति चिन्तामणिगृहे ।
शिवाकारे मञ्चे परमशिवपर्यङ्कनिलयां
भजन्ति त्वां धन्याः कतिचन चिदानन्दलहरीम् ॥ ८॥
maṇidvīpe nīpopavanavati cintāmaṇigṛhe .
śivākāre mañce paramaśivaparyaṅkanilayāṃ
bhajanti tvāṃ dhanyāḥ katicana cidānandalaharīm .. 8..
स्थितं स्वाधिष्ठाने हृदि मरुतमाकाशमुपरि ।
मनोऽपि भ्रूमध्ये सकलमपि भित्वा कुलपथं
सहस्रारे पद्मे सह रहसि पत्या विहरसे ॥ ९॥
sthitaṃ svādhiṣṭhāne hṛdi marutamākāśamupari .
mano’pi bhrūmadhye sakalamapi bhitvā kulapathaṃ
sahasrāre padme saha rahasi patyā viharase .. 9..
प्रपञ्चं सिञ्चन्ती पुनरपि रसाम्नायमहसः ।
अवाप्य स्वां भूमिं भुजगनिभमध्युष्टवलयं
स्वमात्मानं कृत्वा स्वपिषि कुलकुण्डे कुहरिणि ॥ १०॥
prapañcaṃ siñcantī punarapi rasāmnāyamahasaḥ .
avāpya svāṃ bhūmiṃ bhujaganibhamadhyuṣṭavalayaṃ
svamātmānaṃ kṛtvā svapiṣi kulakuṇḍe kuhariṇi .. 10..
प्रभिन्नाभिः शम्भोर्नवभिरपि मूलप्रकृतिभिः ।
चतुश्चत्वारिंशद्वसुदलकलाश्रत्रिवलय-
त्रिरेखाभिः सार्धं तव शरणकोणाः परिणताः ॥ ११॥
prabhinnābhiḥ śambhornavabhirapi mūlaprakṛtibhiḥ .
catuścatvāriṃśadvasudalakalāśratrivalaya-
trirekhābhiḥ sārdhaṃ tava śaraṇakoṇāḥ pariṇatāḥ .. 11..
कवीन्द्राः कल्पन्ते कथमपि विरिञ्चिप्रभृतयः ।
यदालोकौत्सुक्यादमरललना यान्ति मनसा
तपोभिर्दुष्प्रापामपि गिरिशसायुज्यपदवीम् ॥ १२॥
kavīndrāḥ kalpante kathamapi viriñciprabhṛtayaḥ .
yadālokautsukyādamaralalanā yānti manasā
tapobhirduṣprāpāmapi giriśasāyujyapadavīm .. 12..
तवापाङ्गालोके पतितमनुधावन्ति शतशः ।
गलद्वेणीबन्धाः कुचकलशविस्रस्तसिचया
हठात् त्रुट्यत्काञ्च्यो विगलितदुकूला युवतयः ॥ १३॥
tavāpāṅgāloke patitamanudhāvanti śataśaḥ .
galadveṇībandhāḥ kucakalaśavisrastasicayā
haṭhāt truṭyatkāñcyo vigalitadukūlā yuvatayaḥ .. 13..
हुताशे द्वाषष्टिश्चतुरधिकपञ्चाशदनिले ।
दिवि द्विष्षट्त्रिंशन्मनसि च चतुष्षष्टिरिति ये
मयूखास्तेषामप्युपरि तव पादाम्बुजयुगम् ॥ १४॥
hutāśe dvāṣaṣṭiścaturadhikapañcāśadanile .
divi dviṣṣaṭtriṃśanmanasi ca catuṣṣaṣṭiriti ye
mayūkhāsteṣāmapyupari tava pādāmbujayugam .. 14..
वरत्रासत्राणस्फटिकघटिकापुस्तककराम् ।
सकृन्न त्वा नत्वा कथमिव सतां संन्निदधते
मधुक्षीरद्राक्षामधुरिमधुरीणाः भणितयः ॥ १५॥
कवीन्द्राणां चेतःकमलवनबालातपरुचिं
भजन्ते ये सन्तः कतिचिदरुणामेव भवतीम् ।
विरिञ्चिप्रेयस्यास्तरुणतरशृङ्गारलहरी-
गभीराभिर्वाग्भिर्विदधति सतां रञ्जनममी ॥ १६॥
varatrāsatrāṇasphaṭikaghaṭikāpustakakarām .
sakṛnna tvā natvā kathamiva satāṃ saṃnnidadhate
madhukṣīradrākṣāmadhurimadhurīṇāḥ bhaṇitayaḥ .. 15.. var phaṇitayaḥ
kavīndrāṇāṃ cetaḥkamalavanabālātaparuciṃ
bhajante ye santaḥ katicidaruṇāmeva bhavatīm .
viriñcipreyasyāstaruṇataraśṛṅgāralaharī-
gabhīrābhirvāgbhirvidadhati satāṃ rañjanamamī .. 16..
वशिन्याद्याभिस्त्वां सह जननि संचिन्तयति यः ।
स कर्ता काव्यानां भवति महतां भङ्गिरुचिभिः
वचोभिर्वाग्देवीवदनकमलामोदमधुरैः ॥ १७॥
vaśinyādyābhistvāṃ saha janani saṃcintayati yaḥ .
sa kartā kāvyānāṃ bhavati mahatāṃ bhaṅgirucibhiḥ
vacobhirvāgdevīvadanakamalāmodamadhuraiḥ .. 17..
दिवं सर्वामुर्वीमरुणिमनि मग्नां स्मरति यः ।
भवन्त्यस्य त्रस्यद्वनहरिणशालीननयनाः
सहोर्वश्या वश्याः कति कति न गीर्वाणगणिकाः ॥ १८॥
divaṃ sarvāmurvīmaruṇimani magnāṃ smarati yaḥ .
bhavantyasya trasyadvanahariṇaśālīnanayanāḥ
sahorvaśyā vaśyāḥ kati kati na gīrvāṇagaṇikāḥ .. 18..
हरार्धं ध्यायेद्यो हरमहिषि ते मन्मथकलाम् ।
स सद्यः संक्षोभं नयति वनिता इत्यतिलघु
त्रिलोकीमप्याशु भ्रमयति रवीन्दुस्तनयुगाम् ॥ १९॥
harārdhaṃ dhyāyedyo haramahiṣi te manmathakalām .
sa sadyaḥ saṃkṣobhaṃ nayati vanitā ityatilaghu
trilokīmapyāśu bhramayati ravīndustanayugām .. 19..
हृदि त्वामाधत्ते हिमकरशिलामूर्तिमिव यः ।
स सर्पाणां दर्पं शमयति शकुन्ताधिप इव
ज्वरप्लुष्टान् दृष्ट्या सुखयति सुधाधारसिरया ॥ २०॥
hṛdi tvāmādhatte himakaraśilāmūrtimiva yaḥ .
sa sarpāṇāṃ darpaṃ śamayati śakuntādhipa iva
jvarapluṣṭān dṛṣṭyā sukhayati sudhādhārasirayā .. 20..
निषण्णां षण्णामप्युपरि कमलानां तव कलाम् ।
महापद्माटव्यां मृदितमलमायेन मनसा
महान्तः पश्यन्तो दधति परमाह्लादलहरीम् ॥ २१॥
niṣaṇṇāṃ ṣaṇṇāmapyupari kamalānāṃ tava kalām .
mahāpadmāṭavyāṃ mṛditamalamāyena manasā
mahāntaḥ paśyanto dadhati paramāhlādalaharīm .. 21..
मिति स्तोतुं वाञ्छन् कथयति भवानि त्वमिति यः ।
तदैव त्वं तस्मै दिशसि निजसायुज्यपदवीं
मुकुन्दब्रह्मेन्द्रस्फुटमकुटनीराजितपदाम् ॥ २२॥
miti stotuṃ vāñchan kathayati bhavāni tvamiti yaḥ .
tadaiva tvaṃ tasmai diśasi nijasāyujyapadavīṃ
mukundabrahmendrasphuṭamakuṭanīrājitapadām .. 22..
शरीरार्धं शम्भोरपरमपि शङ्के हृतमभूत् ।
यदेतत्त्वद्रूपं सकलमरुणाभं त्रिनयनं
कुचाभ्यामानम्रं कुटिलशशिचूडालमकुटम् ॥ २३॥
śarīrārdhaṃ śambhoraparamapi śaṅke hṛtamabhūt .
yadetattvadrūpaṃ sakalamaruṇābhaṃ trinayanaṃ
kucābhyāmānamraṃ kuṭilaśaśicūḍālamakuṭam .. 23..
तिरस्कुर्वन्नेतत्स्वमपि वपुरीशस्तिरयति ।
सदापूर्वः सर्वं तदिदमनुगृह्णाति च शिव-
स्तवाज्ञामालम्ब्य क्षणचलितयोर्भ्रूलतिकयोः ॥ २४॥
tiraskurvannetatsvamapi vapurīśastirayati .
sadāpūrvaḥ sarvaṃ tadidamanugṛhṇāti ca śiva-
stavājñāmālambya kṣaṇacalitayorbhrūlatikayoḥ .. 24..
भवेत् पूजा पूजा तव चरणयोर्या विरचिता ।
तथा हि त्वत्पादोद्वहनमणिपीठस्य निकटे
स्थिता ह्येते शश्वन्मुकुलितकरोत्तंसमकुटाः ॥ २५॥
bhavet pūjā pūjā tava caraṇayoryā viracitā .
tathā hi tvatpādodvahanamaṇipīṭhasya nikaṭe
sthitā hyete śaśvanmukulitakarottaṃsamakuṭāḥ .. 25..
विनाशं कीनाशो भजति धनदो याति निधनम् ।
वितन्द्री माहेन्द्री विततिरपि संमीलितदृशा
महासंहारेऽस्मिन् विहरति सति त्वत्पतिरसौ ॥ २६॥
vināśaṃ kīnāśo bhajati dhanado yāti nidhanam .
vitandrī māhendrī vitatirapi saṃmīlitadṛśā
mahāsaṃhāre’smin viharati sati tvatpatirasau .. 26..
गतिः प्रादक्षिण्यक्रमणमशनाद्याहुतिविधिः ।
प्रणामस्संवेशस्सुखमखिलमात्मार्पणदृशा
सपर्यापर्यायस्तव भवतु यन्मे विलसितम् ॥ २७॥
gatiḥ prādakṣiṇyakramaṇamaśanādyāhutividhiḥ .
praṇāmassaṃveśassukhamakhilamātmārpaṇadṛśā
saparyāparyāyastava bhavatu yanme vilasitam .. 27..
विपद्यन्ते विश्वे विधिशतमखाद्या दिविषदः ।
करालं यत्क्ष्वेलं कबलितवतः कालकलना
न शम्भोस्तन्मूलं तव जननि ताटङ्कमहिमा ॥ २८॥
vipadyante viśve vidhiśatamakhādyā diviṣadaḥ .
karālaṃ yatkṣvelaṃ kabalitavataḥ kālakalanā
na śambhostanmūlaṃ tava janani tāṭaṅkamahimā .. 28..
कठोरे कोटीरे स्खलसि जहि जम्भारिमुकुटम् ।
प्रणम्रेष्वेतेषु प्रसभमुपयातस्य भवनं
भवस्याभ्युत्थाने तव परिजनोक्तिर्विजयते ॥ २९॥
kaṭhore koṭīre skhalasi jahi jambhārimukuṭam .
praṇamreṣveteṣu prasabhamupayātasya bhavanaṃ
bhavasyābhyutthāne tava parijanoktirvijayate .. 29..
निषेव्ये नित्ये त्वामहमिति सदा भावयति यः ।
किमाश्चर्यं तस्य त्रिनयनसमृद्धिं तृणयतो
महासंवर्ताग्निर्विरचयति निराजनविधिम् ॥ ३०॥
niṣevye nitye tvāmahamiti sadā bhāvayati yaḥ .
kimāścaryaṃ tasya trinayanasamṛddhiṃ tṛṇayato
mahāsaṃvartāgnirviracayati nirājanavidhim .. 30..
स्थितस्तत्तत्सिद्धिप्रसवपरतन्त्रैः पशुपतिः ।
पुनस्त्वन्निर्बन्धादखिलपुरुषार्थैकघटना-
स्वतन्त्रं ते तन्त्रं क्षितितलमवातीतरदिदम् ॥ ३१॥
sthitastattatsiddhiprasavaparatantraiḥ paśupatiḥ .
punastvannirbandhādakhilapuruṣārthaikaghaṭanā-
svatantraṃ te tantraṃ kṣititalamavātītaradidam .. 31..
स्मरो हंसः शक्रस्तदनु च परामारहरयः ।
अमी हृल्लेखाभिस्तिसृभिरवसानेषु घटिता
भजन्ते वर्णास्ते तव जननि नामावयवताम् ॥ ३२॥
smaro haṃsaḥ śakrastadanu ca parāmāraharayaḥ .
amī hṛllekhābhistisṛbhiravasāneṣu ghaṭitā
bhajante varṇāste tava janani nāmāvayavatām .. 32..
र्निधायैके नित्ये निरवधिमहाभोगरसिकाः ।
भजन्ति त्वां चिन्तामणिगुननिबद्धाक्षवलयाः
शिवाग्नौ जुह्वन्तः सुरभिघृतधाराहुतिशतैः ॥ ३३॥
rnidhāyaike nitye niravadhimahābhogarasikāḥ .
bhajanti tvāṃ cintāmaṇigunanibaddhākṣavalayāḥ
śivāgnau juhvantaḥ surabhighṛtadhārāhutiśataiḥ .. 33..
तवात्मानं मन्ये भगवति नवात्मानमनघम् ।
अतश्शेषश्शेषीत्ययमुभयसाधारणतया
स्थितः संबन्धो वां समरसपरानन्दपरयोः ॥ ३४॥
tavātmānaṃ manye bhagavati navātmānamanagham .
ataśśeṣaśśeṣītyayamubhayasādhāraṇatayā
sthitaḥ saṃbandho vāṃ samarasaparānandaparayoḥ .. 34..
त्वमापस्त्वं भूमिस्त्वयि परिणतायां न हि परम् ।
त्वमेव स्वात्मानं परिणमयितुं विश्ववपुषा
चिदानन्दाकारं शिवयुवति भावेन बिभृषे ॥ ३५॥
tvamāpastvaṃ bhūmistvayi pariṇatāyāṃ na hi param .
tvameva svātmānaṃ pariṇamayituṃ viśvavapuṣā
cidānandākāraṃ śivayuvati bhāvena bibhṛṣe .. 35..
परं शम्भुं वन्दे परिमिलितपार्श्वं परचिता ।
यमाराध्यन् भक्त्या रविशशिशुचीनामविषये
निरालोकेऽलोके निवसति हि भालोकभवने ॥ ३६॥
paraṃ śambhuṃ vande parimilitapārśvaṃ paracitā .
yamārādhyan bhaktyā raviśaśiśucīnāmaviṣaye
nirāloke’loke nivasati hi bhālokabhavane .. 36..
शिवं सेवे देवीमपि शिवसमानव्यवसिताम् ।
ययोः कान्त्या यान्त्याः शशिकिरणसारूप्यसरणे-
विधूतान्तर्ध्वान्ता विलसति चकोरीव जगती ॥ ३७॥
śivaṃ seve devīmapi śivasamānavyavasitām .
yayoḥ kāntyā yāntyāḥ śaśikiraṇasārūpyasaraṇe-
vidhūtāntardhvāntā vilasati cakorīva jagatī .. 37..
भजे हंसद्वन्द्वं किमपि महतां मानसचरम् ।
यदालापादष्टादशगुणितविद्यापरिणति-
र्यदादत्ते दोषाद् गुणमखिलमद्भ्यः पय इव ॥ ३८॥
bhaje haṃsadvandvaṃ kimapi mahatāṃ mānasacaram .
yadālāpādaṣṭādaśaguṇitavidyāpariṇati-
ryadādatte doṣād guṇamakhilamadbhyaḥ paya iva .. 38..
तमीडे संवर्तं जननि महतीं तां च समयाम् ।
यदालोके लोकान् दहति महति क्रोधकलिते
दयार्द्रा या दृष्टिः शिशिरमुपचारं रचयति ॥ ३९॥
tamīḍe saṃvartaṃ janani mahatīṃ tāṃ ca samayām .
yadāloke lokān dahati mahati krodhakalite
dayārdrā yā dṛṣṭiḥ śiśiramupacāraṃ racayati .. 39..
स्फुरन्नानारत्नाभरणपरिणद्धेन्द्रधनुषम् ।
तव श्यामं मेघं कमपि मणिपूरैकशरणं
निषेवे वर्षन्तं हरमिहिरतप्तं त्रिभुवनम् ॥ ४०॥
sphurannānāratnābharaṇapariṇaddhendradhanuṣam .
tava śyāmaṃ meghaṃ kamapi maṇipūraikaśaraṇaṃ
niṣeve varṣantaṃ haramihirataptaṃ tribhuvanam .. 40..
नवात्मानं मन्ये नवरसमहाताण्डवनटम् ।
उभाभ्यामेताभ्यामुदयविधिमुद्दिश्य दयया
सनाथाभ्यां जज्ञे जनकजननीमज्जगदिदम् ॥ ४१॥
navātmānaṃ manye navarasamahātāṇḍavanaṭam .
ubhābhyāmetābhyāmudayavidhimuddiśya dayayā
sanāthābhyāṃ jajñe janakajananīmajjagadidam .. 41..
गतैर्माणिक्यत्वं गगनमणिभिः सान्द्रघटितं
किरीटं ते हैमं हिमगिरिसुते कीर्तयति यः ।
स नीडेयच्छायाच्छुरणशबलं चन्द्रशकलं
धनुः शौनासीरं किमिति न निबध्नाति धिषणाम् ॥ ४२॥
gatairmāṇikyatvaṃ gaganamaṇibhiḥ sāndraghaṭitaṃ
kirīṭaṃ te haimaṃ himagirisute kīrtayati yaḥ .
sa nīḍeyacchāyācchuraṇaśabalaṃ candraśakalaṃ
dhanuḥ śaunāsīraṃ kimiti na nibadhnāti dhiṣaṇām .. 42..
घनस्निग्धश्लक्ष्णं चिकुरनिकुरुम्बं तव शिवे ।
यदीयं सौरभ्यं सहजमुपलब्धुं सुमनसो
वसन्त्यस्मिन् मन्ये वलमथनवाटीविटपिनाम् ॥ ४३॥
ghanasnigdhaślakṣṇaṃ cikuranikurumbaṃ tava śive .
yadīyaṃ saurabhyaṃ sahajamupalabdhuṃ sumanaso
vasantyasmin manye valamathanavāṭīviṭapinām .. 43..
परीवाहस्रोतःसरणिरिव सीमन्तसरणिः ।
वहन्ती सिन्दूरं प्रबलकबरीभारतिमिर-
द्विषां बृन्दैर्बन्दीकृतमिव नवीनार्ककिरणम् ॥ ४४॥
parīvāhasrotaḥsaraṇiriva sīmantasaraṇiḥ .
vahantī sindūraṃ prabalakabarībhāratimira-
dviṣāṃ bṛndairbandīkṛtamiva navīnārkakiraṇam .. 44..
परीतं ते वक्त्रं परिहसति पङ्केरुहरुचिम् ।
दरस्मेरे यस्मिन् दशनरुचिकिञ्जल्करुचिरे
सुगन्धौ माद्यन्ति स्मरदहनचक्षुर्मधुलिहः ॥ ४५॥
parītaṃ te vaktraṃ parihasati paṅkeruharucim .
darasmere yasmin daśanarucikiñjalkarucire
sugandhau mādyanti smaradahanacakṣurmadhulihaḥ .. 45..
द्द्वितीयं तन्मन्ये मकुटघटितं चन्द्रशकलम् ।
विपर्यासन्यासादुभयमपि संभूय च मिथः
सुधालेपस्यूतिः परिणमति राकाहिमकरः ॥ ४६॥
ddvitīyaṃ tanmanye makuṭaghaṭitaṃ candraśakalam .
viparyāsanyāsādubhayamapi saṃbhūya ca mithaḥ
sudhālepasyūtiḥ pariṇamati rākāhimakaraḥ .. 46..
त्वदीये नेत्राभ्यां मधुकररुचिभ्यां धृतगुणम् ।
धनुर्मन्ये सव्येतरकरगृहीतं रतिपतेः
प्रकोष्ठे मुष्टौ च स्थगयति निगूढान्तरमुमे ॥ ४७॥
tvadīye netrābhyāṃ madhukararucibhyāṃ dhṛtaguṇam .
dhanurmanye savyetarakaragṛhītaṃ ratipateḥ
prakoṣṭhe muṣṭau ca sthagayati nigūḍhāntaramume .. 47..
त्रियामां वामं ते सृजति रजनीनायकतया ।
तृतीया ते दृष्टिर्दरदलितहेमाम्बुजरुचिः
समाधत्ते संध्यां दिवसनिशयोरन्तरचरीम् ॥ ४८॥
triyāmāṃ vāmaṃ te sṛjati rajanīnāyakatayā .
tṛtīyā te dṛṣṭirdaradalitahemāmbujaruciḥ
samādhatte saṃdhyāṃ divasaniśayorantaracarīm .. 48..
कृपाधाराधारा किमपि मधुराभोगवतिका ।
अवन्ती दृष्टिस्ते बहुनगरविस्तारविजया
ध्रुवं तत्तन्नामव्यवहरणयोग्या विजयते ॥ ४९॥
kṛpādhārādhārā kimapi madhurābhogavatikā .
avantī dṛṣṭiste bahunagaravistāravijayā
dhruvaṃ tattannāmavyavaharaṇayogyā vijayate .. 49..
कटाक्षव्याक्षेपभ्रमरकलभौ कर्णयुगलम् ।
अमुञ्चन्तौ दृष्ट्वा तव नवरसास्वादतरला-
वसूयासंसर्गादलिकनयनं किंचिदरुणम् ॥ ५०॥
kaṭākṣavyākṣepabhramarakalabhau karṇayugalam .
amuñcantau dṛṣṭvā tava navarasāsvādataralā-
vasūyāsaṃsargādalikanayanaṃ kiṃcidaruṇam .. 50..
सरोषा गङ्गायां गिरिशचरिते विस्मयवती ।
हराहिभ्यो भीता सरसिरुहसौभाग्यजयिनी
सखीषु स्मेरा ते मयि जननी दृष्टिः सकरुणा ॥ ५१॥
saroṣā gaṅgāyāṃ giriśacarite vismayavatī .
harāhibhyo bhītā sarasiruhasaubhāgyajayinī
sakhīṣu smerā te mayi jananī dṛṣṭiḥ sakaruṇā .. 51..
पुरां भेत्तुश्चित्तप्रशमरसविद्रावणफले ।
इमे नेत्रे गोत्राधरपतिकुलोत्तंसकलिके
तवाकर्णाकृष्टस्मरशरविलासं कलयतः ॥ ५२॥
purāṃ bhettuścittapraśamarasavidrāvaṇaphale .
ime netre gotrādharapatikulottaṃsakalike
tavākarṇākṛṣṭasmaraśaravilāsaṃ kalayataḥ .. 52..
विभाति त्वन्नेत्रत्रितयमिदमीशानदयिते ।
पुनः स्रष्टुं देवान् द्रुहिणहरिरुद्रानुपरतान्
रजः सत्त्वं बिभ्रत्तम इति गुणानां त्रयमिव ॥ ५३॥
vibhāti tvannetratritayamidamīśānadayite .
punaḥ sraṣṭuṃ devān druhiṇaharirudrānuparatān
rajaḥ sattvaṃ bibhrattama iti guṇānāṃ trayamiva .. 53..
दयामित्रैर्नेत्रैररुणधवलश्यामरुचिभिः ।
नदः शोणो गङ्गा तपनतनयेति ध्रुवममुं
त्रयाणां तीर्थानामुपनयसि संभेदमनघम् ॥ ५४॥
dayāmitrairnetrairaruṇadhavalaśyāmarucibhiḥ .
nadaḥ śoṇo gaṅgā tapanatanayeti dhruvamamuṃ
trayāṇāṃ tīrthānāmupanayasi saṃbhedamanagham .. 54..
तवेत्याहुः सन्तो धरणिधरराजन्यतनये ।
त्वदुन्मेषाज्जातं जगदिदमशेषं प्रलयतः
परित्रातुं शङ्के परिहृतनिमेषास्तव दृशः ॥ ५५॥
tavetyāhuḥ santo dharaṇidhararājanyatanaye .
tvadunmeṣājjātaṃ jagadidamaśeṣaṃ pralayataḥ
paritrātuṃ śaṅke parihṛtanimeṣāstava dṛśaḥ .. 55..
निलीयन्ते तोये नियतमनिमेषाः शफरिकाः ।
इयं च श्रीर्बद्धच्छदपुटकवाटं कुवलयम्
जहाति प्रत्यूषे निशि च विघटय्य प्रविशति ॥ ५६॥
nilīyante toye niyatamanimeṣāḥ śapharikāḥ .
iyaṃ ca śrīrbaddhacchadapuṭakavāṭaṃ kuvalayam
jahāti pratyūṣe niśi ca vighaṭayya praviśati .. 56..
दवीयांसं दीनं स्नपय कृपया मामपि शिवे ।
अनेनायं धन्यो भवति न च ते हानिरियता
वने वा हर्म्ये वा समकरनिपातो हिमकरः ॥ ५७॥
davīyāṃsaṃ dīnaṃ snapaya kṛpayā māmapi śive .
anenāyaṃ dhanyo bhavati na ca te hāniriyatā
vane vā harmye vā samakaranipāto himakaraḥ .. 57..
न केषामाधत्ते कुसुमशरकोदण्डकुतुकम् ।
तिरश्चीनो यत्र श्रवणपथमुल्लङ्घ्य विलस-
न्नपाङ्गव्यासङ्गो दिशति शरसंधानधिषणाम् ॥ ५८॥
na keṣāmādhatte kusumaśarakodaṇḍakutukam .
tiraścīno yatra śravaṇapathamullaṅghya vilasa-
nnapāṅgavyāsaṅgo diśati śarasaṃdhānadhiṣaṇām .. 58..
चतुश्चक्रं मन्ये तव मुखमिदं मन्मथरथम् ।
यमारुह्य द्रुह्यत्यवनिरथमर्केन्दुचरणं
महावीरो मारः प्रमथपतये सज्जितवते ॥ ५९॥
catuścakraṃ manye tava mukhamidaṃ manmatharatham .
yamāruhya druhyatyavanirathamarkenducaraṇaṃ
mahāvīro māraḥ pramathapataye sajjitavate .. 59..
पिबन्त्याः शर्वाणि श्रवणचुलुकाभ्यामविरलम् ।
चमत्कारश्लाघाचलितशिरसः कुण्डलगणो
झणत्कारैस्तारैः प्रतिवचनमाचष्ट इव ते ॥ ६०॥
pibantyāḥ śarvāṇi śravaṇaculukābhyāmaviralam .
camatkāraślāghācalitaśirasaḥ kuṇḍalagaṇo
jhaṇatkāraistāraiḥ prativacanamācaṣṭa iva te .. 60..
त्वदीयो नेदीयः फलतु फलमस्माकमुचितम् ।
वहन्नन्तर्मुक्ताः शिशिरतरनिश्वासगलितं
समृद्ध्या यत्तासां बहिरपि च मुक्तामणिधरः ॥ ६१॥
tvadīyo nedīyaḥ phalatu phalamasmākamucitam .
vahannantarmuktāḥ śiśirataraniśvāsagalitaṃ
samṛddhyā yattāsāṃ bahirapi ca muktāmaṇidharaḥ .. 61..
प्रवक्ष्ये सादृश्यं जनयतु फलं विद्रुमलता ।
न बिम्बं तद्बिम्बप्रतिफलनरागादरुणितं
तुलामध्यारोढुं कथमिव विलज्जेत कलया ॥ ६२॥
pravakṣye sādṛśyaṃ janayatu phalaṃ vidrumalatā .
na bimbaṃ tadbimbapratiphalanarāgādaruṇitaṃ
tulāmadhyāroḍhuṃ kathamiva vilajjeta kalayā .. 62..
चकोराणामासीदतिरसतया चञ्चुजडिमा ।
अतस्ते शीतांशोरमृतलहरीमम्लरुचयः
पिबन्ति स्वच्छन्दं निशि निशि भृशं काञ्जिकधिया ॥ ६३॥
cakorāṇāmāsīdatirasatayā cañcujaḍimā .
ataste śītāṃśoramṛtalaharīmamlarucayaḥ
pibanti svacchandaṃ niśi niśi bhṛśaṃ kāñjikadhiyā .. 63..
जपापुष्पच्छाया तव जननि जिह्वा जयति सा ।
यदग्रासीनायाः स्फटिकदृषदच्छच्छविमयी
सरस्वत्या मूर्तिः परिणमति माणिक्यवपुषा ॥ ६४॥
japāpuṣpacchāyā tava janani jihvā jayati sā .
yadagrāsīnāyāḥ sphaṭikadṛṣadacchacchavimayī
sarasvatyā mūrtiḥ pariṇamati māṇikyavapuṣā .. 64..
निवृत्तैश्चण्डांशत्रिपुरहरनिर्माल्यविमुखैः ।
विशाखेन्द्रोपेन्द्रैः शशिविशदकर्पूरशकला
विलीयन्ते मातस्तव वदनताम्बूलकबलाः ॥ ६५॥
nivṛttaiścaṇḍāṃśatripuraharanirmālyavimukhaiḥ .
viśākhendropendraiḥ śaśiviśadakarpūraśakalā
vilīyante mātastava vadanatāmbūlakabalāḥ .. 65..
त्वयारब्धे वक्तुं चलितशिरसा साधुवचने ।
तदीयैर्माधुर्यैरपलपिततन्त्रीकलरवां
निजां वीणां वाणी निचुलयति चोलेन निभृतम् ॥ ६६॥
tvayārabdhe vaktuṃ calitaśirasā sādhuvacane .
tadīyairmādhuryairapalapitatantrīkalaravāṃ
nijāṃ vīṇāṃ vāṇī niculayati colena nibhṛtam .. 66..
गिरीशेनोदस्तं मुहुरधरपानाकुलतया ।
करग्राह्यं शम्भोर्मुखमुकुरवृन्तं गिरिसुते
कथङ्कारं ब्रूमस्तव चिबुकमौपम्यरहितम् ॥ ६७॥
girīśenodastaṃ muhuradharapānākulatayā .
karagrāhyaṃ śambhormukhamukuravṛntaṃ girisute
kathaṅkāraṃ brūmastava cibukamaupamyarahitam .. 67..
तव ग्रीवा धत्ते मुखकमलनालश्रियमियम् ।
स्वतः श्वेता कालागुरुबहुलजम्बालमलिना
मृणालीलालित्यम् वहति यदधो हारलतिका ॥ ६८॥
tava grīvā dhatte mukhakamalanālaśriyamiyam .
svataḥ śvetā kālāgurubahulajambālamalinā
mṛṇālīlālityam vahati yadadho hāralatikā .. 68..
विवाहव्यानद्धप्रगुणगुणसंख्याप्रतिभुवः ।
विराजन्ते नानाविधमधुररागाकरभुवां
त्रयाणां ग्रामाणां स्थितिनियमसीमान इव ते ॥ ६९॥
vivāhavyānaddhapraguṇaguṇasaṃkhyāpratibhuvaḥ .
virājante nānāvidhamadhurarāgākarabhuvāṃ
trayāṇāṃ grāmāṇāṃ sthitiniyamasīmāna iva te .. 69..
चतुर्भिः सौन्दर्यं सरसिजभवः स्तौति वदनैः ।
नखेभ्यः सन्त्रस्यन् प्रथममथनादन्धकरिपो-
श्चतुर्णां शीर्षाणां सममभयहस्तार्पणधिया ॥ ७०॥
caturbhiḥ saundaryaṃ sarasijabhavaḥ stauti vadanaiḥ .
nakhebhyaḥ santrasyan prathamamathanādandhakaripo-
ścaturṇāṃ śīrṣāṇāṃ samamabhayahastārpaṇadhiyā .. 70..
कराणां ते कान्तिं कथय कथयामः कथमुमे ।
कयाचिद्वा साम्यं भजतु कलया हन्त कमलं
यदि क्रीडल्लक्ष्मीचरणतललाक्षारसछणम् ॥ ७१॥
karāṇāṃ te kāntiṃ kathaya kathayāmaḥ kathamume .
kayācidvā sāmyaṃ bhajatu kalayā hanta kamalaṃ
yadi krīḍallakṣmīcaraṇatalalākṣārasachaṇam .. 71..
तवेदं नः खेदं हरतु सततं प्रस्नुतमुखम् ।
यदालोक्याशङ्काकुलितहृदयो हासजनकः
स्वकुम्भौ हेरम्बः परिमृशति हस्तेन झडिति ॥ ७२॥
tavedaṃ naḥ khedaṃ haratu satataṃ prasnutamukham .
yadālokyāśaṅkākulitahṛdayo hāsajanakaḥ
svakumbhau herambaḥ parimṛśati hastena jhaḍiti .. 72..
न संदेहस्पन्दो नगपतिपताके मनसि नः ।
पिबन्तौ तौ यस्मादविदितवधूसङ्गरसिकौ
कुमारावद्यापि द्विरदवदनक्रौञ्चदलनौ ॥ ७३॥
na saṃdehaspando nagapatipatāke manasi naḥ .
pibantau tau yasmādaviditavadhūsaṅgarasikau
kumārāvadyāpi dviradavadanakrauñcadalanau .. 73..
समारब्धां मुक्तामणिभिरमलां हारलतिकाम् ।
कुचाभोगो बिम्बाधररुचिभिरन्तः शबलितां
प्रतापव्यामिश्रां पुरदमयितुः कीर्तिमिव ते ॥ ७४॥
samārabdhāṃ muktāmaṇibhiramalāṃ hāralatikām .
kucābhogo bimbādhararucibhirantaḥ śabalitāṃ
pratāpavyāmiśrāṃ puradamayituḥ kīrtimiva te .. 74..
पयःपारावारः परिवहति सारस्वतमिव ।
दयावत्या दत्तं द्रविडशिशुरास्वाद्य तव यत्
कवीनां प्रौढानामजनि कमनीयः कवयिता ॥ ७५॥
payaḥpārāvāraḥ parivahati sārasvatamiva .
dayāvatyā dattaṃ draviḍaśiśurāsvādya tava yat
kavīnāṃ prauḍhānāmajani kamanīyaḥ kavayitā .. 75..
गभीरे ते नाभीसरसि कृतसङ्गो मनसिजः ।
समुत्तस्थौ तस्मादचलतनये धूमलतिका
जनस्तां जानीते तव जननि रोमावलिरिति ॥ ७६॥
gabhīre te nābhīsarasi kṛtasaṅgo manasijaḥ .
samuttasthau tasmādacalatanaye dhūmalatikā
janastāṃ jānīte tava janani romāvaliriti .. 76..
कृशे मध्ये किंचिज्जननि तव यद्भाति सुधियाम् ।
विमर्दादन्योऽन्यं कुचकलशयोरन्तरगतं
तनूभूतं व्योम प्रविशदिव नाभिं कुहरिणीम् ॥ ७७॥
kṛśe madhye kiṃcijjanani tava yadbhāti sudhiyām .
vimardādanyo’nyaṃ kucakalaśayorantaragataṃ
tanūbhūtaṃ vyoma praviśadiva nābhiṃ kuhariṇīm .. 77..
कलावालं कुण्डं कुसुमशरतेजोहुतभुजः ।
रतेर्लीलागारं किमपि तव नाभिर्गिरिसुते
बिलद्वारं सिद्धेर्गिरिशनयनानां विजयते ॥ ७८॥
kalāvālaṃ kuṇḍaṃ kusumaśaratejohutabhujaḥ .
raterlīlāgāraṃ kimapi tava nābhirgirisute
biladvāraṃ siddhergiriśanayanānāṃ vijayate .. 78..
नमन्मूर्तेर्नारीतिलक शनकैस्त्रुट्यत इव ।
चिरं ते मध्यस्य त्रुटिततटिनीतीरतरुणा
समावस्थास्थेम्नो भवतु कुशलं शैलतनये ॥ ७९॥
namanmūrternārītilaka śanakaistruṭyata iva .
ciraṃ te madhyasya truṭitataṭinītīrataruṇā
samāvasthāsthemno bhavatu kuśalaṃ śailatanaye .. 79..
कषन्तौ दोर्मूले कनककलशाभौ कलयता ।
तव त्रातुं भङ्गादलमिति वलग्नं तनुभुवा
त्रिधा नद्धं देवि त्रिवलि लवलीवल्लिभिरिव ॥ ८०॥
kaṣantau dormūle kanakakalaśābhau kalayatā .
tava trātuṃ bhaṅgādalamiti valagnaṃ tanubhuvā
tridhā naddhaṃ devi trivali lavalīvallibhiriva .. 80..
न्नितम्बादाच्छिद्य त्वयि हरणरूपेण निदधे ।
अतस्ते विस्तीर्णो गुरुरयमशेषां वसुमतीं
नितम्बप्राग्भारः स्थगयति लघुत्वं नयति च ॥ ८१॥
nnitambādācchidya tvayi haraṇarūpeṇa nidadhe .
ataste vistīrṇo gururayamaśeṣāṃ vasumatīṃ
nitambaprāgbhāraḥ sthagayati laghutvaṃ nayati ca .. 81..
मुभाभ्यामूरुभ्यामुभयमपि निर्जित्य भवती ।
सुवृत्ताभ्यां पत्युः प्रणतिकठिनाभ्यां गिरिसुते
विधिज्ञ्ये जानुभ्यां विबुधकरिकुम्भद्वयमसि ॥ ८२॥
mubhābhyāmūrubhyāmubhayamapi nirjitya bhavatī .
suvṛttābhyāṃ patyuḥ praṇatikaṭhinābhyāṃ girisute
vidhijñye jānubhyāṃ vibudhakarikumbhadvayamasi .. 82..
निषङ्गौ जङ्घे ते विषमविशिखो बाढमकृत ।
यदग्रे दृश्यन्ते दशशरफलाः पादयुगली-
नखाग्रच्छद्मानः सुरमकुटशाणैकनिशिताः ॥ ८३॥
niṣaṅgau jaṅghe te viṣamaviśikho bāḍhamakṛta .
yadagre dṛśyante daśaśaraphalāḥ pādayugalī-
nakhāgracchadmānaḥ suramakuṭaśāṇaikaniśitāḥ .. 83..
ममाप्येतौ मातः शिरसि दयया धेहि चरणौ ।
ययोः पाद्यं पाथः पशुपतिजटाजूटतटिनी
ययोर्लाक्षालक्ष्मीररुणहरिचूडामणिरुचिः ॥ ८४॥
mamāpyetau mātaḥ śirasi dayayā dhehi caraṇau .
yayoḥ pādyaṃ pāthaḥ paśupatijaṭājūṭataṭinī
yayorlākṣālakṣmīraruṇaharicūḍāmaṇiruciḥ .. 84..
स्तवास्मै द्वन्द्वाय स्फुटरुचिरसालक्तकवते ।
असूयत्यत्यन्तं यदभिहननाय स्पृहयते
पशूनामीशानः प्रमदवनकङ्केलितरवे ॥ ८५॥
stavāsmai dvandvāya sphuṭarucirasālaktakavate .
asūyatyatyantaṃ yadabhihananāya spṛhayate
paśūnāmīśānaḥ pramadavanakaṅkelitarave .. 85..
ललाटे भर्तारं चरणकमले ताडयति ते ।
चिरादन्तःशल्यं दहनकृतमुन्मूलितवता
तुलाकोटिक्वाणैः किलिकिलितमीशानरिपुणा ॥ ८६॥
lalāṭe bhartāraṃ caraṇakamale tāḍayati te .
cirādantaḥśalyaṃ dahanakṛtamunmūlitavatā
tulākoṭikvāṇaiḥ kilikilitamīśānaripuṇā .. 86..
निशायां निद्राणं निशि चरमभागे च विशदौ ।
वरं लक्ष्मीपात्रं श्रियमतिसृजन्तौ समयिनां
सरोजं त्वत्पादौ जननि जयतश्चित्रमिह किम् ॥ ८७॥
niśāyāṃ nidrāṇaṃ niśi caramabhāge ca viśadau .
varaṃ lakṣmīpātraṃ śriyamatisṛjantau samayināṃ
sarojaṃ tvatpādau janani jayataścitramiha kim .. 87..
कथं नीतं सद्भिः कठिनकमठीकर्परतुलाम् ।
कथं वा बाहुभ्यामुपयमनकाले पुरभिदा
यदादाय न्यस्तं दृषदि दयमानेन मनसा ॥ ८८॥
kathaṃ nītaṃ sadbhiḥ kaṭhinakamaṭhīkarparatulām .
kathaṃ vā bāhubhyāmupayamanakāle purabhidā
yadādāya nyastaṃ dṛṣadi dayamānena manasā .. 88..
स्तरूणां दिव्यानां हसत इव ते चण्डि चरणौ ।
फलानि स्वःस्थेभ्यः किसलयकराग्रेण ददतां
दरिद्रेभ्यो भद्रां श्रियमनिशमह्नाय ददतौ ॥ ८९॥
starūṇāṃ divyānāṃ hasata iva te caṇḍi caraṇau .
phalāni svaḥsthebhyaḥ kisalayakarāgreṇa dadatāṃ
daridrebhyo bhadrāṃ śriyamaniśamahnāya dadatau .. 89..
ममन्दं सौन्दर्यप्रकरमकरन्दम् विकिरति ।
तवास्मिन् मन्दारस्तबकसुभगे यातु चरणे
निमज्जन्मज्जीवः करणचरणः षट्चरणताम् ॥ ९०॥
mamandaṃ saundaryaprakaramakarandam vikirati .
tavāsmin mandārastabakasubhage yātu caraṇe
nimajjanmajjīvaḥ karaṇacaraṇaḥ ṣaṭcaraṇatām .. 90..
स्खलन्तस्ते खेलं भवनकलहंसा न जहति ।
अतस्तेषां शिक्षां सुभगमणिमञ्जीररणित-
च्छलादाचक्षाणं चरणकमलं चारुचरिते ॥ ९१॥
skhalantaste khelaṃ bhavanakalahaṃsā na jahati .
atasteṣāṃ śikṣāṃ subhagamaṇimañjīraraṇita-
cchalādācakṣāṇaṃ caraṇakamalaṃ cārucarite .. 91..
शिवः स्वच्छच्छायाघटितकपटप्रच्छदपटः ।
त्वदीयानां भासां प्रतिफलनरागारुणतया
शरीरी शृङ्गारो रस इव दृशां दोग्धि कुतुकम् ॥ ९२॥
śivaḥ svacchacchāyāghaṭitakapaṭapracchadapaṭaḥ .
tvadīyānāṃ bhāsāṃ pratiphalanarāgāruṇatayā
śarīrī śṛṅgāro rasa iva dṛśāṃ dogdhi kutukam .. 92..
शिरीषाभा चित्ते दृषदुपलशोभा कुचतटे ।
भृशं तन्वी मध्ये पृथुरुरसिजारोहविषये
जगत्त्रातुं शम्भोर्जयति करुणा काचिदरुणा ॥ ९३॥
śirīṣābhā citte dṛṣadupalaśobhā kucataṭe .
bhṛśaṃ tanvī madhye pṛthururasijārohaviṣaye
jagattrātuṃ śambhorjayati karuṇā kācidaruṇā .. 93..
कलाभिः कर्पूरैर्मरकतकरण्डं निबिडितम् ।
अतस्त्वद्भोगेन प्रतिदिनमिदं रिक्तकुहरं
विधिर्भूयो भूयो निबिडयति नूनं तव कृते ॥ ९४॥
kalābhiḥ karpūrairmarakatakaraṇḍaṃ nibiḍitam .
atastvadbhogena pratidinamidaṃ riktakuharaṃ
vidhirbhūyo bhūyo nibiḍayati nūnaṃ tava kṛte .. 94..
सपर्यामर्यादा तरलकरणानामसुलभा ।
तथा ह्येते नीताः शतमखमुखाः सिद्धिमतुलां
तव द्वारोपान्तस्थितिभिरणिमाद्याभिरमराः ॥ ९५॥
saparyāmaryādā taralakaraṇānāmasulabhā .
tathā hyete nītāḥ śatamakhamukhāḥ siddhimatulāṃ
tava dvāropāntasthitibhiraṇimādyābhiramarāḥ .. 95..
श्रियो देव्याः को वा न भवति पतिः कैरपि धनैः ।
महादेवं हित्वा तव सति सतीनामचरमे
कुचाभ्यामासङ्गः कुरवकतरोरप्यसुलभः ॥ ९६॥
śriyo devyāḥ ko vā na bhavati patiḥ kairapi dhanaiḥ .
mahādevaṃ hitvā tava sati satīnāmacarame
kucābhyāmāsaṅgaḥ kuravakatarorapyasulabhaḥ .. 96..
हरेः पत्नीं पद्मां हरसहचरीमद्रितनयाम् ।
तुरीया कापि त्वं दुरधिगमनिःसीममहिमा
महामाया विश्वं भ्रमयसि परब्रह्ममहिषि ॥ ९७॥
hareḥ patnīṃ padmāṃ harasahacarīmadritanayām .
turīyā kāpi tvaṃ duradhigamaniḥsīmamahimā
mahāmāyā viśvaṃ bhramayasi parabrahmamahiṣi .. 97..
पिबेयं विद्यार्थी तव चरणनिर्णेजनजलम् ।
प्रकृत्या मूकानामपि च कविताकारणतया
कदा धत्ते वाणीमुखकमलताम्बूलरसताम् ॥ ९८॥
pibeyaṃ vidyārthī tava caraṇanirṇejanajalam .
prakṛtyā mūkānāmapi ca kavitākāraṇatayā
kadā dhatte vāṇīmukhakamalatāmbūlarasatām .. 98..
रतेः पातिव्रत्यं शिथिलयति रम्येण वपुषा ।
चिरं जीवन्नेव क्षपितपशुपाशव्यतिकरः
परानन्दाभिख्यम् रसयति रसं त्वद्भजनवान् ॥ ९९॥
rateḥ pātivratyaṃ śithilayati ramyeṇa vapuṣā .
ciraṃ jīvanneva kṣapitapaśupāśavyatikaraḥ
parānandābhikhyam rasayati rasaṃ tvadbhajanavān .. 99..
सुधासूतेश्चन्द्रोपलजललवैरर्घ्यरचना ।
स्वकीयैरम्भोभिः सलिलनिधिसौहित्यकरणं
त्वदीयाभिर्वाग्भिस्तव जननि वाचां स्तुतिरियम् ॥ १००॥
sudhāsūteścandropalajalalavairarghyaracanā .
svakīyairambhobhiḥ salilanidhisauhityakaraṇaṃ
tvadīyābhirvāgbhistava janani vācāṃ stutiriyam .. 100..
श्रीगोविन्दभगवत्पूज्यपादशिष्यस्य
श्रीमच्छङ्करभगवतः कृतौ सौन्दर्यलहरी सम्पूर्णा ॥
॥ ॐ तत्सत् ॥
śrīgovindabhagavatpūjyapādaśiṣyasya
śrīmacchaṅkarabhagavataḥ kṛtau saundaryalaharī sampūrṇā ..
.. oṃ tatsat ..
समानीतः पद्भ्यां मणिमुकुरतामम्बरमणि-
र्भयादास्यादन्तःस्तिमितकिरणश्रेणिमसृणः ।
दधाति त्वद्वक्त्रंप्रतिफलनमश्रान्तविकचं
निरातङ्कं चन्द्रान्निजहृदयपङ्केरुहमिव ॥ १०१॥
rbhayādāsyādantaḥstimitakiraṇaśreṇimasṛṇaḥ .
dadhāti tvadvaktraṃpratiphalanamaśrāntavikacaṃ
nirātaṅkaṃ candrānnijahṛdayapaṅkeruhamiva .. 101..
कटाक्षे कन्दर्पः कतिचन कदम्बद्युति वपुः ।
हरस्य त्वद्भ्रान्तिं मनसि जनयन्ति स्म विमलाः
variations जनयामास मदनो, जनयन्तः समतुलां, जनयन्ता सुवदने
भवत्या ये भक्ताः परिणतिरमीषामियमुमे ॥ १०२॥
kaṭākṣe kandarpaḥ katicana kadambadyuti vapuḥ .
harasya tvadbhrāntiṃ manasi janayanti sma vimalāḥ
variations janayāmāsa madano, janayantaḥ samatulāṃ, janayantā suvadane
bhavatyā ye bhaktāḥ pariṇatiramīṣāmiyamume .. 102..
निराघातज्ञाने नियमपरचित्तैकनिलये ।
नियत्या निर्मुक्ते निखिलनिगमान्तस्तुतिपदे
निरातङ्के नित्ये निगमय ममापि स्तुतिमिमाम् ॥ १०३॥
nirāghātajñāne niyamaparacittaikanilaye .
niyatyā nirmukte nikhilanigamāntastutipade
nirātaṅke nitye nigamaya mamāpi stutimimām .. 103..
Description
Saundarya Lahari – All Verses
Soundarya Lahari, meaning “Waves of Beauty,” is a revered Sanskrit literary work attributed to Adi Shankaracharya, the great philosopher and theologian who consolidated the doctrine of Advaita Vedanta in the 8th century. This composition is not just a poetic description of the physical beauty of the Goddess Shakti, but also a profound work of tantric philosophy and spiritual insight.
The text is divided into two parts:
Ananda Lahari (Waves of Bliss) – Verses 1 to 41
Soundarya Lahari (Waves of Beauty) – Verses 42 to 100
Structure and Purpose:
The Soundarya Lahari is a hymn in praise of Goddess Parvati, the consort of Lord Shiva, who is worshipped as the ultimate feminine principle of the universe, Shakti. Through the composition, Shakti is honored as both the creative force behind the universe and the embodiment of supreme beauty. The text masterfully weaves together descriptions of her divine form with complex spiritual principles, outlining the connection between the microcosm (human experience) and the macrocosm (universal forces).
Ananda Lahari, the first portion, primarily explores the tantric aspects of Shakti worship, including the intricate practices of Kundalini yoga, meditative rituals, and the esoteric science of mantras and yantras. It is said to contain mystical and magical formulas that bestow both spiritual and material benefits on devotees who recite the verses with devotion.
Soundarya Lahari, the second portion, focuses on describing the sublime beauty of the Goddess from head to toe. Each verse praises a particular aspect of her physical form, symbolizing divine concepts and cosmic forces.
Philosophical and Spiritual Significance:
The Soundarya Lahari is rich in symbolism and serves multiple purposes:
Devotional Hymn: It is a devotional hymn for those seeking to worship Goddess Parvati as the universal mother and source of all energy.
Tantric Scripture: For practitioners of tantra, the Soundarya Lahari holds deep esoteric meaning. It outlines the concepts of Kundalini, the subtle body, chakras, and various rituals to invoke divine energy.
Path to Liberation: While it exalts the external beauty of the Goddess, its real purpose is to guide the devotee toward spiritual liberation by realizing the divine energy that resides within themselves.
Mystical and Magical Powers:
The verses of the Soundarya Lahari are believed to possess mantra shakti (the power of sound) and yantra shakti (the power of geometrical diagrams). Each verse, when chanted with devotion, is believed to bestow specific benefits such as health, wealth, success, and spiritual awakening. Devotees often meditate upon yantras (mystical diagrams) associated with particular verses to harness their spiritual and material benefits.
Literary Beauty:
Apart from its spiritual depth, the Soundarya Lahari is considered a masterpiece of Sanskrit poetry. Its literary elegance lies in its use of meter, its masterful wordplay, and its use of alankaras (poetic devices). Adi Shankaracharya’s skill in blending devotion, philosophy, and poetry in one seamless flow makes the Soundarya Lahari an unparalleled work in Indian spiritual literature.
Other Sankara Shlokams
Achyutashtakam
Achyutashtakam, composed by Sri Adi Shankaracharya, is in praise of Lord Krishna. It is a simple yet wonderful hymn of eight stanzas comprising the names of lord Vishnu with main emphasis on his incar
Annapurna Stotram
Annapurna is the goddess of food and nourishment. She is a form of Parvati, the inseparable shakti of Lord Shiva. Anna is translated as "food" and "grains" and purna means "full" or "complete". Annapu
Aparokshānubhuti
Shlokams,Prakarana Grantha,Sankara
Aparokshanubhuti, or Direct Experience of the Absolute is an introductory work by Adi Shankaracharya that expounds Advaita Vedanta philosophy. The word means Self-Realization
Ashtavakra Gita Home
Shlokams,Prakarana Grantha,Sankara
The Ashtavakra Gita is an ancient Sanskrit scripture that presents a powerful conversation between the sage Ashtavakra and King Janaka on the nature of the Self, liberation, and ultimate truth. Unlike many other spiritual texts, it is remarkable for…
Ātmabōdha
Shlokams,Prakarana Grantha,Sankara
Atmabodha, meaning Self-knowledge or Self-awareness, is an exceptionally lucid and readable work of Shankaracharya. Consisting of sixty-eight verses or shlokas, it is in a sense a simple summary of his entire Vedantic structure of thought, intended,…
Atmabodha All Verses
Shlokams,Atmabodha Verse,Sankara
Atmabodha - Full text with meaning, audio and translation from Sanskrit to English, Telugu, Kannada, Tamil and more
Ayigiri Nandini
The Mahishasura Mardini Stotram also known popularly as Aigiri Nandini, holds immense significance during Navratri. The word Mahisha means buffalo and Asura means Rakshasa or Demon. Composed by the great sage Adi Shankaracharya around 810 AD, this…
Bhaja Govindam
Shlokams,Vishnu,Sankara,Govinda,Krishna,Prakarana Grantha
Bhaja Govindam is one of the most popular hymns penned by Adi Shankaracharya. He has packed into the Bhaja Govindam song the substance of all Vedanta, and set the oneness of Jnana and Bhakti to melodious music.
Bhavani Ashtakam
Composed by Sri Adi Shankaracharya. Bhavani Ashtakam is a popular hymn on Goddess Bhavani, who is known for her protection and merciful nature. The Lyrics of this hymn have an in-depth meaning that wh
Bilvashtakam
Composed by Sri Adi Shankaracharya, the famous Bilvashtakam extols the virtues of the Bilva leaf (also spelt Vilva, Bilwa) and Lord Shiva’s love for it. The following com
Bilvashtakam 14 Verses
Note: For the original version of Bilvashtakam please click here. Composed by Sri Adi Shankaracharya,
Brahmajnānavali Māla
Shlokams,Prakarana Grantha,Sankara
In this Prakarana Grantha (topical text or treatise) attributed to Sri Sankara the characteristics of the person who has realized that he is Brahman are described. The aspirant for liberation is advised to meditate on these in order to attain that…
Dakshinamurthy Stotram
Shlokams,Sankara,Shiva,Dakshinamurthy
The Dakshinamurti Stotra is a Sanskrit religious hymn to Shiva by Sri Adi Shankaracharya. It explains the metaphysics of the universe in the frame of the tradition of Advaita V
Dasa Shloki
Shlokams,Prakarana Grantha,Sankara
This composition in ten verses - dasha shloka - is similar to the Nirvana Shatakam, and like it, a summation, in typically Shankara's way, of the unyielding non-dual vision of Advaita. Here too, Shankara's attempt is to deny everything else only to…
Devi Aparadha Kshamapana Stotram
Composed by Sri Adi Shankaracharya. Aparadha Kshamapana stotram is usually recited after a recital or after the completion of Puja. Its like asking for forgiveness from Goddess for various mistakes th
Ganesha Pancharathnam
The composer, Guru Sri Adi Shankaracharya had praised the God Ganesha by presenting these five stanzas as five jewels, hence the name Maha Ganesha Pancharatnam.
Ganesha Stavah
Ganesha Stavah or Ganapati Stavah is a set of 13 verses that describe the glory of Lord Ganesha. Gaṇapati stavaḥ is said to be from Ganesh Purana - upāsanā khaṇḍa adhyāya 13.
Ganga Ashtakam
Gangashtakam is an octet on river Ganga composed by Shri Adi Shankaracharya.
Gangā stotram
Sri Adi Shankaracharya has written a song ”Devi Suresvari Bhagavati Gange” and the Official Name for this song is ”Sri Sri Ganga Stotram”. In this song Sree Shankaracharya describes the glories of Sri
Guru Ashtakam
Guru Ashtakam beautifully exemplifies the necessity of a Guru, beseeching the spiritual seeker to bow down to the Lotus Feet of the Guru. Composed by Sri Adi Shankaracharya.
Guru Paduka Stotram
Guru Paduka Stotram is a very powerful chant that glorifies the "Padukas (Sandals) of the Guru," which are symbolically represented as "the boat to help cross the endless ocean
Hanuman Pancharatnam
Garland of five gems on Shri Hanuman composed by Shri Adi Shankaracarya.
Hastāmalakiyam
Shlokams,Prakarana Grantha,Sankara
Composed by Hastāmalaka Ācārya, a direct disciple of Adi Sankaracharya, the Hastāmalaka Stotraṁ or Hastāmalakiyam is a short Vedāntic text about the higher nature of the Self.
Ishavasya All Verses
Introduction to Isavasya Upanishad The Īśāvāsyopaniṣad—so called from its initial words—forms the concluding chapter of the Saṃhitā of the Suklayajurveda The name of
Ishavasya Upanishad
The Isha Upanishad is embedded as the final chapter of the Shukla Yajurveda and is one of the shortest Upanishads, with 18 verses. It is the very first Upanishad in the Muktika canon of 108 Upanishads.
Ishvaro Guru Atmeti
Shlokams,Shiva,Dakshinamurthy,Guru,Sankara
Salutations to Lord Dakshinamurti, who is all-pervasive like space but who appears (as though) divided as Lord, Guru, and the Self.
Jagannath Ashtakam
Shri Jagannath Ashtakam was composed by Adi Sankracharya in praise of Lord Jagannath on his visit to Puri. The merit of reciting the sacred Jagannath ashtakam carefully is such that, one becomes sinle
Kalabhairava Ashtakam
Composed by Sri Adi Shankaracharya. The hymn illustrates the personality of Kala Bhairava of Kashi, the God of Death(kala). Those who study these 8 verses on Kala Bhairava, which are enticing and whic
Kalika Ashtakam
Composed by Sri Adi Shankaracharya on devi Kalika. The Goddess Kali is the guardian, also known as Kalika. The protectors, the Mother, Kali is Dharma and eternal time. Kali shines with the brilliance
Kamakshi Stotram
Composed by Sri Adi Shankaracharya. Goddess Kamakshi is a form of Tripura Sundari or Parvati or the universal mother goddess. The word is derived from the heritage “Ka” meaning Goddess Saraswati (Godd
Kanakadhara Stotram
Kanakadhara Stotram is a hymn (Stotra) composed in Sanskrit by Sri Adi Sankaracharya. Kanakadhara means “stream” (dhara) of “gold” (kanaka). The 21 stanzas of kanakadhārā stotram then became famous and are read by all devout Hindus for……
Kasi Viswanathashtakam
Composed by Sri Adi Sankaracharya in praise of Lord Shiva. That man who reads this octet with its meaning, which sings the praise of Shiva who is the lord of Varanasi, would get knowledge, wealth, gre
Katha Upanishad
The Katha Upanishad is embedded in the last 8 sections of the Krishna Yajurveda. It has two chapters divided into three Vallis each. It is a Mukhya upanishad and listed as #3 in the Muktika canon of 108 Upanishads.
Kathopanishad All Verses
The Katha Upanishad is a collection of philosophical poems representing a conversation between the sage Naciketas and Yama (god of death). They discuss the nature of Atman, Brahman and Moksha (liberation). The book is made up of six sections…
Kaupina Panchakam
Shlokams,Prakarana Grantha,Sankara
Kaupina Panchakam - This is a very short poem composed by Sri Adi Sankaracharya, with five stanzas that glorify the life of a Sannyasi. The Kaupina is made up of a rectangular strip of cotton cloth used to cover the genitals with the help of the…
Kena Upanishad
The Kena Upanishad is embedded inside the last section of the Talavakara Brahmanam of the Samaveda. It is a Mukhya upanishad and listed as #2 in the Muktika canon of 108 Upanishads.
Kenopanishad-All-Verses
The Kena Upanishad or Kenopanishad (Kenopaniṣat) (also known as the Talavakara Upanishad) elucidates the concept of nirguna (qualityless) Brah
Lakshmi Narasimha Karavalambam
Narasimha is a fierce avatar of the Hindu god Vishnu, one who incarnates in the form of part lion and part man to destroy evil and end religious persecution and calamity on Earth, thereby restoring Dh
Lalitha Panchakam
Composed by Sri Adi Shankaracharya in praise of mother Lalitha. The phalastuti of the stotram says the divine mother will give good knowledge, wealth, fame, happiness, fortune, and prosperity.
Lalitha Sahasranamam
Lalitha Sahasranamam is a sacred Hindu text from the Brahmanda Purana which lists the thousand names of the Hindu mother goddess Lalita Devi, a manifestation of the Divine Mother (Shakti), and is therefore used in the worship of Durga, Parvati,…
Mahishasura Mardini Storam
Mahishasura Mardini Stotram - This is a prayer to the Goddess who killed Mahishasura. “The place where Sri Mahishasura Mardini Stotram is sung every day, I will always be present and never leave.” - The Devi’s proclamation in the 12th chapter of the…
Manishā Panchakam
Shlokams,Prakarana Grantha,Sankara
Adi Sankara’s ‘Manisha Panchakam’ refers to the conclusive wisdom or determinate knowledge asserted in five verses. Manisha means conclusive wisdom or determinate knowledge and Panchakam refers to the five verses.
Mauna Vyakhya
Shlokams,Sankara,Shiva,Dakshinamurthy
I salute Sri Dakshinamurti, who is not subject to time, who makes known the truth of Brahman through the implied meaning of words, who is surrounded by disciples who are themselves Rishis and committe
Meenakshi Pancharatnam
Meenakshi Pancharatnam (The five jewels of Meenakshi) is a popular stotram composed by Sri Adi Shankaracharya as a ritual incantation on goddess Meenakshi. This stotram explains the divine qualities,
Mundaka Upanishad
The Mundaka Upanishad is embedded is embedded in the Atharva Veda. It is a Mukhya upanishad and listed as #5 in the Muktika canon of 108 Upanishads.
Narmada Ashtakam
Composed by Sri Adi Shankaracharya in praise of river Narmada.
Nidhaye Sarvavidyanam
Shlokams,Sankara,Shiva,Dakshinamurthy
Salutations to Sri Dakshinamurti, the reservoir of knowledge (the abode of all learning), the healer of all those who suffer from the disease of samsāra, and the teacher of the whole world.
Nirvana Shatakam
Nirvana Shatkam (Atma Shatakam) of Adi Sankara Commentary and Notes Translated by S. N. Sastri Introduction: Sri Sankara Bhagavatpada has blessed poster
Om Namah Pranavarthaya
Shlokams,Sankara,Shiva,Dakshinamurthy
Om. Salutation to the one who is the meaning of praņava, who is in the form of pure knowledge, who is taintless and who is free from any change. To that Sri Dakshinamurti, (my) salutations.
Om Namo Bhagavate Dakshinamurthaye
Shlokams,Sankara,Shiva,Dakshinamurthy
Om. Salutations to Bhagavan Dakshinamurti. (Oh Lord) Bless me with memory, the capacity to think properly, and clarity, wisdom.
Pandurang Ashtakam
Shri Pandurang ashtakam (Pandurangashtakam) Stotra is a very beautiful creation of Shri Adi Shankaracharya. Lord Vithal, or Panduranga Vittala, is an incarnation of Lord Vishnu and is worshipped in t
Prashna Upanishad
The Prashna Upanishad is embedded is embedded in the Atharva Veda. It is a Mukhya upanishad and listed as #5 in the Muktika canon of 108 Upanishads.
Prashnopanishad-All-Verses
The Prashnopanishad (Prashna Upanishad) is a key philosophical text within the Indian spiritual tradition, part of the larger body of literature known as the Upanishads.
Prātah Smaranam
This is a prayer composed by Sri Adi Shankaracharya consisting of three stanzas in which the mind (manas) speech (vak), and body (kaya) of the individual are sought to be dedicated to the supreme Spir
Ranganatha Ashtakam
Ranganatha Ashtakam was written by Adi Sankara Bhagavatpada when he stood before Sri Ranganatha swamy in Srirangam, during his travels. This Ashtakam reveals that Adi Sankara was overwhelmed by Lord R
Sādhana Panchakam
Shlokams,Prakarana Grantha,Sankara
Sadhana Panchakam - Adi Sankara in these five simple looking verses lovingly lists the ways and means which can readily be followed by all students of Vedanta, seeking direct experience of the divine state beyond the mind, the spring of…
Sankaram Sankaracharyam
Salutations again and again to Lord Shiva in the form of Sri Sankaracharya and Lord Vishnu in the form of Veda Vyasa, who were the authors of sutra and bhasya.
Saundarya Lahari
Shlokams,Prakarana Grantha,Sankara
The Saundarya Lahari, a devotional poem of one hundred hymns, is ascribed to the great teacher Shankaracharya. The poem is divided into two parts; the first part, comprised of verses 1 through 41, is called the Anandalahari, or Wave of Bliss, and…
Sharada Bhujangam
Composed by Sri Adi Shankaracharya on devi Sharada. Sringeri is the first math (monastery) built by Sri Adi Shankaracharya. It has the famous temple of Devi Sharada inside it. The math is situated on
Shiva Aparadha Kshamapana Stotram
Composed by Sri Adi Shankaracharya. The theme of this storam is of total surrender to Lord Shiva and asking for His forgiveness.
Shiva Ashtakam
Composed by Adi Shankaracharya. This ashtakam is a descriptive salutation of the different attributes of Shiva. The great yogi who is referred to as Ardhanarishwara (the one who has included the femin
Shiva Manasa Puja
Sri Adi Shankaracharya composed this mantra for lord Shiva. Using this stotra, we can perform mental worship of Lord Shiva.
Shiva Pratah Smaranam
This is a short and beautiful 'Three Shloka Prayer' that makes the start of the day full of energy and happiness. Composed by Sri Adi Shankaracharya.
Sruti Smrti
I bow at the feet of the Lord in the form Sri Sankaracharya, who is the blessing for the humanity, who is the shrine for the sruti, the smrti and the purana, and, who is the abode of compassion.
Subramanya Bhujangam
Sri Subramanya bhujangam is a stotra sung under inspiration by Sri Adi Shankaracharya at Thiruchendur ( presently located in Tamil Nadu, India). When he meditated upon SrI Subrahmanya, he became aware
Taittiriya Upanishad
The Taittiriya Upanishad is one of the primary Upanishads, as part of the Yajur Veda. It says that the highest goal is to know the Brahman, for that is Truth. It is divided into three sections, 1) the Siksha Valli, 2) the Brahmananda Valli and 3)…
Tattvabodha
Shlokams,Prakarana Grantha,Sankara
For anyone wishing to understand the essential tenets of Shankaracharya's philosophy and the Advaita vision, the Tattvabodha, which broadly translates to the 'knowledge of truth', is mandatory reading. In it, Shankara, as the teacher, puts down the…
Totakashtakam
The Toṭakāṣṭakam was composed by Giri (an enlightened disciple) in praise of his Guru Adi Sankara. Literally, it means a rhyme of eight (Sanskrit: aṣṭa) verses (ślokas) in the meter called Totaka.
Vākya Vritti
Shlokams,Prakarana Grantha,Sankara
Of the four Mahāvākyas, the statement containing the entire instruction of the teacher is 'Tat Tvam Asi' or 'That Thou Art'. Exposition of this pithy but pregnant sentence (vākya), is accomplished by Adi Sankara in a collection of 53 verses called…
Vedasara Shiva Stava
Composed by Sri Adi Shankaracharya in praise of Lord Shiva - the essence of vedas.
Vivekachudamani
Shlokams,Prakarana Grantha,Sankara
The Vivekachudamani is the crown jewel of the Prarkarana texts (philosophical treatises) authored by Sri Adi Sankaracharya. The title translates to ‘Crest Jewel of Discrimination’, referring to the discrimination between the real and unreal.
Yamuna Ashtakam
Composed by Sri Adi Shankaracharya. In Yamunastakam’s first eight shlokas, Sri Adi Shankaracharya describes Shri Yamunaji’s eight fold powers, its divine & wonderful idol and her divine qualities. Shr
Soundarya Lahari All Verses – Sankara – Soundarya Lahari – Full text and lyrics with audio in Sanskrit, English, Telugu, Kannada, Tamil and more